Tag: history

  • Lyric Grace

    On the 31st March, 1621 the English poet and politician Andrew Marvell was born. He lived and worked through one of the most tumultuous periods of English history, and this is reflected in his work. His first poems were published while he was still a student at Cambridge, and these were effusive tributes to the reigning King Charles I.

    However after the King was executed in 1649 his loyalties changed. Eventually he was persuaded to support the new political establishment and he firmly allied himself with the new regime. In 1650 he worked for Lord Fairfax, who was Oliver Cromwell’s military commander during the Civil Wars. He was employed as the private tutor to his daughter at his residency, Appleton House.

    The verdant surroundings inspired him to write the poem “Upon Appleton House”. This was an extraordinarily vivid poem, praising his patron and his generosity. The poem is also an allegory of England during the Interregnum, a society in great flux and wrestling with its religious and cultural identity.

    One year later he was appointed to Cromwell’s Council of State and worked as his Latin Secretary alongside his friend and fellow poet John Milton. They shared a similar sensibility, perceiving England as a uniquely sacred nation, akin to Zionism.

    This belief was sincere and profound. The argument was that just as God promised the land of Israel to the Jews, England too was a kind of Promised Land for pious and devout Protestants. This was a very common belief for the time. Milton’s epic verse was a lamentation for a lost tribe of chosen people, bewildered and exiled on England’s vast green plains searching for manna.

    This concept was often held in tandem with the practice of complete abstinence from worldly desires to maintain spiritual purity and to restore the covenant with God. Both of these beliefs were integral to the Puritan philosophy which helped to sustain Oliver Cromwell’s governance. Ultimately, however Puritanism had its limits, and its harsh strictures were questioned by the populace.

    Cromwell’s tyrannical measures against excesses of the flesh did not seem particularly Christian at all. It seemed that Puritan leaders were held captive by a delusion, believing that God had only created a spirit world, rather than a material world replete with flesh and blood humans.

    Cromwell died in 1658 and his son Richard succeeded him. It was a hallmark of the regime’s hypocrisy that one hereditary system was merely replaced with another. In 1659 Marvell was elected the Member of Parliament for Kingston-upon-Hull in the Third Protectorate Parliament. In 1660 the Monarchy was restored, and King Charles II ascended to the throne. Both Marvell and Milton were incredibly fortunate to avoid the death penalty for being possible co-conspirators and collaborators in the previous administration, one that was held responsible for the execution of the King’s father.

    It was a testament to their persuasive literary powers that they could even convince Royalty that they were not traitors. Marvell was re-elected as the MP for Hull in the Cavalier Parliament. However he was soon dissatisfied, and appalled by the extent of government corruption which had become endemic. He composed poems expressing his feelings of disgust and disappointment, but these were written surreptitiously and were only published posthumously.

    Marvell died in mysterious circumstances in 1678, reputedly this was a targeted political assassination. In the wake of the Glorious Revolution of 1688, his poetry experienced a revival, with previously unpublished poems added to the canon. His poetry felt timely and it resonated with people.

    Poems like “The Garden” and “To HIs Coy Mistress” were subtle allusions to England’s divided self, a nation and a people grappling with ambiguity. It was a perennial battle between the body and the soul, the flesh and the spirit. His oeuvre was a significant influence on T.S Eliot, who was also inspired by similar themes.

    Eliot wrote that his poetry “is more than a technical accomplishment, or the vocabulary and syntax of an epoch; it is what we have designated tentatively as wit, a tough reasonableness beneath the slight lyric grace”. This “slight lyric grace” epitomises English culture, quiet, unassuming and too hesitant to express any heartfelt emotion. His work is a delicate dedication to England, and it continues to reverberate to this day.

  • The Magic Mountain

    The 17th March is St. Patrick’s Day, the Patron Saint of Ireland. It is an annual celebration of Ireland, Irish history and culture. It is marked with festivities within Ireland and throughout the global Irish diaspora. Originally it was a solemn religious occasion. However in modern times the focus has been on the secular and cultural aspects of Ireland.

    The legend of Patrick is closely entwined with Ireland and the Irish people, but he was originally from Britain. When he was just seventeen years old he was snatched from his family by Irish pirates and he was taken to Ireland where he was kept in captivity as a slave.

    Fifth Century Britain was left in a vulnerable state after the collapse of the Roman Empire. The ancient Celtic Kingdom of Ireland had a distinct reputation, and it was regarded as a notorious place known for its warriors and pirates. Irish pirates frequently raided the coasts of Great Britain looking for slaves. Patrick was just one out of numerous victims of these raids, another was St. Brigid who is also revered as a sacred figure in Ireland. These incursions were more than likely opportunistic. There is no evidence to suggest that their actions were motivated by malice or that they were attempting to further humiliate or subdue an already demoralised population.

    Patrick worked as a slave for six years, tending sheep on a farm and praying for his own emancipation. However after six years he received a message from God telling him to return home, and that a ship was waiting for him. He escaped to the coast and persuaded the captain and the crew of a passing ship to transport him back to Britain. However as soon as they arrived they found a wilderness. Patrick urged them all to put their faith in the Lord. The power of prayer saved them, as a herd of wild boar suddenly appeared. This miracle made Patrick an enamoured figure among the group.

    Patrick spent years studying theology, in Britain and across continental Europe. He was ordained at Auxerre, and eventually progressed to the Bishopric. However he had not forgotten his early life in Ireland. Despite his difficult experience he felt a degree of affection for the culture, as his captors introduced him to the myths and legends of Ireland. It was while he was stationed back in Britain that he received another vision summoning him back to Ireland. It was a divine message imploring him to evangelise the pagan population.

    When he returned to Ireland as a missionary he encountered individuals with profound and enduring attachments to the old beliefs. They remained stubbornly resistant to the Catholic creed and refused to practice the necessary rites. The worship of nature was ingrained instead, and they paid homage to other gods.

    However Patrick found ingenious ways to accommodate them. He had a great insight into the Irish psyche and how magic and miracles were deeply embedded within the national consciousness. Patrick’s ministry only served to strengthen these sensibilities.

    Patrick had immense strength, courage and faith even when the pagan population were determined to kill him. On one occasion when his life was in great danger, he knelt before his antagonists and prayed to God for help to convert their souls. His prayers were so fervent that when he rose to his feet the mark of his knees were still imprinted on the ground. Another time he told the villagers to draw a circle around them, and as he prayed, water instantly sprung from the ground and they were all baptised.

    Superstition and mysticism was all around him. One of the most powerful myths relates to a giant serpent, believed to be situated close to the Galtee mountains. Patrick knew that the locals revered serpents as gods, but he cast this serpent into the lake and made a plea that this serpent remained chained to a rock until the Day of Judgement. Patrick was also believed to have cast all venomous creatures from the island of Ireland.

    Patrick understood that the people felt awe of the natural world. The Temple of Tara in County Meath is popularly believed to be the resting place of an ancient semi-divine King. Another example of a holy mountain is situated on the west of Ireland, the centre of Patrick’s evangelical work. In pagan Ireland, pilgrims would ascend to the top of the mountain to mark the summer solstice. Fruits would be offered to the gods, a bull would be sacrificed and ritual dances and plays would be enacted.

    When Patrick served in the region he learned about the mountain’s reputation and so he decided to climb to the peak to pray and fast for 40 days. He was assailed by demonic birds, but he banished them into the hollows by ringing his bell. He cleansed the mountain of evil, and released the Irish from their iniquities. The mountain is now called “Croagh Patrick” and it is devoted to Chrstian pilgrimage, rather than pagan devotions. We must remember the important legacy of St Patrick and how he shaped Ireland today.

  • The Gem in the Crown

    March the 1st is St David’s Day, the annual celebration of Wales’ patron saint, Wales and Welsh culture. It is an important time of celebration for the people of Wales and the Welsh diaspora.

    Wales remains a vital and integral part of the United Kingdom. However it has struggled to maintain a civil relationship with its much larger and more powerful neighbour, England. This uneasiness has ebbed and flowed throughout our history. Many militant Welsh nationalists have leaped onto this feeling of disquiet and exploited it to promote the cause of independence. Their ultimate aim is the total and complete severance from the United Kingdom.

    Wales has a degree of political and cultural autonomy, but it is still subservient to the parliament based in Westminster. There is a tacit acceptance amongst many Welsh people that financially at least Wales will always be reliant upon England. However this is a point of contention for other people.

    Unfortunately there are always bad actors on the political stage, who thrive on division and propagate propaganda that only benefits them and their grip upon power. Their role is familiar to anyone who has witnessed how political drama has played out in the modern world. They use sophisticated tools of manipulation, and subvert facts to fit their agenda. They are experts in emotive language, and cynically and knowingly employ the most sentimental words to cement support. They are devious, revealing a kind of romantic prejudice that plays well to their chosen audience.

    However, they are completely detached from reality. They only exist in a realm of artifice, a luxurious bubble which insulates them from the rigours of daily life. They do not care about the fate of ordinary people. They only want to display their supposed virtue to bolster their social status. Ordinary people are just pawns in their game. It is tactical rather than genuine. It is a gambit, and the people who use it have no sincerity.

    The United Kingdom has only survived as a consequence of mutual understanding and respect. It is a sovereign state composed of a patchwork of nations, but in ancient times there was only a semblance of unity. Loyalty was strictly maintained on tribal lines. Sporadic battles broke out between competing and rival tribes. This enabled the Roman conquest, and gave them an obvious advantage in consolidating their power. A unified society would have resisted and defeated them.

    The Roman centurions were impressed by the warrior spirit of the Welsh. One of these fierce and indomitable warriors was called Caradog. His indefatigability in battle was so impressive that he was awarded honorary Roman citizenship. This was a rare privilege. Ultimately the harshness of the climate, and the periodic shortage of food, especially grain defeated Roman rule in Wales. Wales remained defiantly independent, and resisted further invasion until the Normans arrived.

    Normans were urbane sophisticates who were adept at civic organisation, castle construction and political diplomacy. It was an entirely new form of imperial rule. There was an element of cultural superiority, but mutual respect and admiration too. The Normans brought literacy to this island, and scribes immortalised Welsh myth and folklore for the first time. If they had not written these treasures, they would have been lost in the sands in time for good.

    Other Welshmen signed up to the Anglo-Norman Army and played a vital role as combatants during the many battles with the French. They were credited with the invention of the longbow, a weapon which was indispensable on the battlefield. However this glorious medieval period drew to a close as a series of civil wars threatened to tear the Kingdom apart once more. Ostensibly these were between warring Royal dynasties, and became known as the “Wars of the Roses”. The House of York was defeated, and the victory was handed to the Tudors. This was a defining moment. The new King, Henry VII was the grandson of Sir Owen Tudor, a prominent figure in the Welsh court. His ascendance ensured that the English and Welsh crowns were finally united.

    In 1487, the King issued a final coup de grace to the vanquished Yorkists, and commissioned the Crown Imperial. He planned to wear it on the Feast of Epiphany. This was a traditional custom that was held every year, when the monarch re-enacted the part of the Three Kings delivering gifts to the Christ child. The new crown was ornate, made of gold and encrusted with precious stones including rubies, diamonds, sapphires and pearls. It was seven pounds in weight. This was symbolic, and heralded a new direction for the Kingdom, in which Wales played a central part.

    The Tudor age shaped and reimagined a “Merrie Land” which inspired others in the centuries since. However in the twenty-first century, there is a tendency to deride history. The Welsh nationalists are either ignorant of the past or do not care about it, but their cynicism must be condemned as divisive. We must remember our long, proud history of unity and harmony.

  • The Abomination of Desolation

    On the 6th February, 1685, King Charles II died. He is chiefly remembered as the King who returned from enforced exile to restore the Monarchy. As the newly restored Monarch he helped to rehabilitate the divided nations after years of Civil War, and his influence shaped the culture and identity of what would eventually become the United Kingdom.

    However at the time of his Restoration, the nations were neither united nor cohesive, and the Kingdom itself was a distant memory. His own father had been executed, and in the interregnum tyranny had not disappeared, it was reanimated, albeit in a different form. The King knew that his father had lost the trust of many of his subjects. They believed that he had failed them and even abrogated his duty.

    King Charles I left a painful legacy where the remnants of his Kingdom had been torn asunder. The responsibilities of his successor were unambiguous but onerous. His main task was to unify the divided entities of his realm. The political experiment of the Republic, or “Commonwealth” tested the concept of a united sovereign state without a sovereign. In theory, it was a worthy experiment but it was worthless in practice.

    Fundamentally, such an entity could not work as Kings ruled the state and the Church, and Scotland along with England. King Charles II was conflicted between these two nations. The Scottish leaders demanded that he must accept the Presbyterian tradition. They also stipulated that this must be imposed in England, and also Ireland, nations that had very different religious traditions.

    Charles found these demands offensive and insensitive. He felt personally affronted, but he was caught in an almost impossible bind between the various factions, all of whom believed that they had legitimate grievances. The bloody years of the Civil War had not been forgotten, the wounds were still fresh metaphorically speaking.

    The seventeenth century was an era of great turbulence, when religious fervour dominated the landscape and impacted the lives of everyone on these islands. The struggle to survive was not merely material, it was spiritual. The King felt this more keenly, as he had inherited the role of Defender of the Faith. It was a weighty inheritance, and a burden. Eventually, he gave a tacit acceptance of the Scots’ demands, but there were other religious forces that he had to quell.

    It was a time of extreme piety, and bigotry. It was almost impossible to find a compromise between implacable religious sects. Any sensible discussion was insoluble because reason was so limited. Self-righteousness obscured perceptions of others, and tribal loyalties were entrenched. This prevented a common understanding.

    The most extraordinary religious sect that emerged during this period was the Fifth Monarchists. They interpreted the fall of King Charles I as the end of the Fourth Monarchy, a Biblical prophecy from the Book of Daniel. Their prime belief was that the Restoration of the House of Stuart was an obstacle in the coming of the Fifth. Many followers were prepared to use violence in the name of the cause.

    However the sect foundered when their most prominent follower, Thomas Venner staged an insurrection in London. He was arrested and put to death. His zeal was undimmed, as he proclaimed from the gallows, “if they had been deceived, the Lord himself was their deceiver”. Venner’s martyrdom did not help the fortunes of this dwindling sect, and they vanished.

    The new Stuart King regarded religious extremism distasteful. One of his first interventions was the Declaration of Breda. This was his manifesto for his newly restored kingdom. It declared that, “we do Declare a Liberty to tender consciences; and that no Man shall be disquieted or called in question for differences of Opinion in matter of Religion, which do not disturb the Peace of the Kingdom”.

    The austere years of Cromwell had ended, and he was eager to reform and reconstitute his kingdom again. A dark chapter had closed.

    The contrast between his reign and the dictatorships that preceded him were stark. Suddenly his subjects were allowed to have fun, and laugh again with the advent of “Restoration drama”. One dramatist, Thomas Shadwell, met the approval of the King with his satire “The Virtuoso”. This featured a notorious character called Sir Nicholas Gimcrack, from which we derive the word “gimmick”. Gimcrack is pompous, arrogant and devoid of any imagination. The play ridicules his lack of humour, his earnestness and pedantry. He embodies all of the worst characteristics of narcissists and tyrants, as he seems impervious to notions of moderation and disagreement.

    Gimcrack is a figure of ridicule, instantly recognisable and familiar to the King. Shadwell’s satire was appreciated by him. This was noted by the diarist Samuel Pepys. Pepys recorded a meeting with the King in which he regaled him with scenes from the play and spent hours laughing about it. The culture of the Restoration, including the extravagance of the fashions has left an important legacy. It is a vital part of our identity, and we must never forget its importance.

  • Never Forget

    On the 27th January, 1945 Red Army troops liberated Auschwitz concentration camp. The Second World War was drawing to a close, and as Nazi forces were on the verge of defeat, they tried to conceal their crimes. They evacuated the remaining prisoners, destroyed the gas chambers and crematoriums and dismantled the warehouses where those who had died from starvation and disease were corralled. Despite their vain attempts to erase it, the Soviets still managed to reveal to the rest of the world the brutal and inhumane realities of the Nazi project.

    The Auschwitz liberation helped to uncover the worst atrocity of the twentieth century. Since then, the world has paused to remember the Holocaust at every anniversary. It is vital that we continue to do this, we owe it to the six million Jews who were murdered. We must always keep them in our memories. We must never forget, because it negates our collective humanity if we simply banish their existence as a mere footnote in history.

    Dehumanisation was a central tenet of Nazi ideology. The Jews, in their twisted minds, were not human beings. They did not even consider them to be as lowly as animals, they actually believed that they were a disease. In the propaganda materials they portrayed them as a virus that was infecting European civilisation, and eradicating them was the only cure. It is horrific that such views were countenanced, it is even worse realising that their genocidal plans were enacted.

    This sickening act of mass murder is forever emblazoned upon our memories, footage of the concentration camps was captured on news reels and broadcast to the British population after the end of the war. We were convinced that the years of privation were worth it, if it meant securing a victory of good over evil.

    When British troops liberated the camps of Bergen Belsen, it left an indelible impression. Many of the young men who saw such levels of degradation and inhumanity were haunted for decades afterwards and could never speak about something, which by its own definition is unspeakable. One of them who did eventually speak was the actor Dirk Bogarde, who wrote extensively in his autobiography about his wartime experience.

    Bogarde states that, “when we opened up Belsen Camp, which was the first concentration camp any of us had seen, we didn’t even know what they were, we’d heard vague rumours that they were…The gates were opened and then I realised that I was looking at Dante’s Inferno…I still haven’t seen anything as dreadful. And never will. And a girl came up who spoke English, because she recognised one of the badges…and her breasts were like empty purses, she had no top on, and a pair of pyjamas, and no hair…She gave me a big kiss, which was very moving”.

    Shortly after this encounter, the girl died.

    Sadly, the Holocaust is dwindling in importance year after year and increasingly relegated as yet another part of history. My generation has grown up understanding that this is more than history, because our grandparents endured the war years. They were our only living connection to this dark episode in human history. Younger generations have no such connection, and it often appears meaningless to them.

    Tragically the Holocaust is considered simply a far off event, rather like the Boer war would have appeared to my peers. A distinction needs to be made though, between other wars in history and the Holocaust. The Holocaust was in fact, the culmination of modernity, where society had chosen to forget that we are all one human race.

    Society had chosen to forget this, because selfishness had triumphed. Amidst the horrors that unfolded during the war, Pope Pius XII pleaded to those bewitched by Hitler to heed the words of the Bible. He referred to the Book of Genesis which proclaimed that all humanity has a common origin, and all of the people on Earth had a duty to be charitable to one another. His pleas were eventually drowned out by the persuasively manipulative campaign of the Nazis.

    Another pitifully modern development is the increasing trivialisation of the Holocaust. This is something which has been utilised by malign political forces. It is a perverse method of moral inversion, and subversion. The most egregious examples occurred in the aftermath of the October 7th attacks when Hamas terrorists committed a pogrom in Israel.

    When Israel valiantly defended itself, the efforts to eliminate a racist, genocidal threat to its very existence were undermined. They were even accused of committing genocide themselves. These accusations are deeply hurtful, and belittle the memory of those who were the victims of an actual genocide.

    The Holocaust was an industrial level murder machine. It was a deliberate and intentional act, aimed at an entire people. It is true that there have been conflicts and atrocities in various parts of the world since 1945, but nothing of this level in western Europe since, so it is outrageous that words like “Nazi” and “fascist” are flung about whenever difficult political issues are contested. These words have been diluted, and their original meaning has been lost.

    It is a bitter irony that the individuals who use these words as insults have more resemblance to Nazis and fascists. These individuals attend marches denigrating the world’s only Jewish state, and argue that alternative political voices should be silenced. It is clear now more than ever that we understand what actually happened in history, to honour the memory of those who suffered and died.

  • The People’s King

    On the 20th January, 1936 King George V died. He was seventy years old. However he had spent years in poor health, originating from an accident in 1915. He was thrown from his horse while inspecting the troops on the French frontline. His injuries were compounded by his smoking addiction and he was later diagnosed with chronic bronchitis.

    Ten years later, on his doctors’ advice, he took an extended break to the Mediterranean coast as they believed that the sea air would improve his breathing. In 1928 his health declined further when he developed septicaemia. His health never truly recovered and as a consequence, he was forced to delegate many of his official duties to his son, the future King Edward VIII.

    Duty was always paramount to George. Unlike other Monarchs, he believed this was much more important than his ceremonial role. Compared to other Monarchs, he was not as enamoured by the fawning and frivolities associated with pageants or other superficial displays of Monarchical power. His sober and sombre attitude was a stark contrast to the excesses and appetites of his father, King Edward VII. In fact, he was the polar opposite, slightly built and shy.

    He did not enjoy public attention, he only participated in his duties because he understood that these things were essential. He did not adjust as well to the role as Edward did, for him it felt normal. However, George was awkward. His diffidence, ironically, was an attribute that ultimately saved him and the future of the Monarchy.

    His work ethic was admirable, in spite of his illness he made sure to attend official engagements whenever and wherever possible. It was at often great cost to his already ailing health. He was reluctant to rest and relinquish his duties. However his health took a grave turn during the winter of 1929. He was recovering from lung surgery and was forced to take another rest cure. He was sent to the seaside town of Bognor to convalesce. The civic leaders of the town were honoured to have such an illustrious guest, and consequently the suffix “Regis” was added to the name to reflect the King’s association.

    His tireless sense of duty was something that was acknowledged by representatives of the Government. George had set a new standard of behaviour for Monarchs; his conscientious character distinguished him from the leisurely antics of his father. Edward always looked the epitome of the country squire, often clad in tweeds and either engaged in a hunting party or watching the races. In contrast, George was always in the same suit, and was indifferent to the whims of fashion. He took his role as King extremely seriously and endeavoured to serve his people to the best of his ability.

    His diligence and humility set him apart from the figureheads of other European countries. The continent was in crisis, and struggling to maintain a sense of homogeneity and unity. It was actually a loosely connected entity that was fracturing from within. The United Kingdom was not immune to these effects either, the culture and society was changing rapidly.

    It was frightening that the old order was no longer considered a certainty or an inevitability anymore. During the early part of his reign nascent political movements like socialism, communism and fascism emerged. These were populist revolts against an established social order. The Liberal government, fearing possible insurrection, introduced social welfare policies to dampen down this growing threat. Meanwhile in Europe militarism continued almost unabated, culminating with the outbreak of the First World War. The King found himself in a difficult and dangerous position. However he chose to put his own people first, before making any personal considerations or decisions.

    He anglicised the Royal Family, severing them from centuries of German history and culture. He was now head of the “House of Windsor” and his relations were no longer the Battenbergs, they were the Mountbattens. This was a swift and deliberate response to the feelings of antipathy towards Germans that were widespread across the Kingdom.

    He also reformed and democratised the honours system, establishing the Companions of Honour. These were awarded to people in public service, the first recipients of these medals were the leaders of the Metal Workers, the Railwaymen and the Transport Unions. It helped appease those who sought socialist revolution, and even regicide. George re-established the charitable role of the Monarchy and exercised noblesse oblige. His subjects were thankful for it, and for his impeccable morality.

    In 1935 the King celebrated his Silver Jubilee. The nation united in a spirit of warmth and familiarity, a glorious and harmonious picture totally divorced from the dark totalitarianism that had enveloped Germany and Italy. The serenity was broken six months later when his death was announced. The calm dignity he exuded throughout his reign was crucial in securing the continuity of the Monarchy, and cementing our national identity.

  • Chipping Away

    On the 20th December, 1954 the acclaimed author and screenwriter James Hilton died. His most famous work was “Goodbye Mr Chips”. This slim novella was published in 1934 but contains lessons which resonate throughout the ages. It is a romantic evocation of a schoolmaster at Brookfield, a provincial public school for boys. Mr. Chipping or “Chips” is the archetypal teacher, a warm, paternalistic and familiar presence in a world that refuses to stay still.

    Chips knows that history has undoubtedly shaped him, but he is uncomfortably aware that the future is a constant intrusion into his carefully ordered life. Chips finds himself in later years,a solitary widower after losing both his wife and child in childbirth. He is bereft of biological children, but nonetheless perceives himself as the adopted father of hundreds of boys. The boys who were fortunate enough to have been taught by him regard him as a mentor and a confidante, and by extension a father figure.

    The old “boys” of the school include high ranking church ministers, top businessmen, judges, lawyers and assorted pillars of the community. Chips’ role in their success has been incalculable, he is not merely a teacher to them he is the arbiter of moral correction. His lessons in civilisation are set and precise formulas for everyone to follow, this, he believes, is the natural order of everything.

    Chips’ is a traditionalist and a conservative. He is an unfashionable figure in a world that is constantly striving for modernity and the future. However his political and ethical position is not completely implacable, as it is revealed that his young wife helped to soften his stance. In their brief but eventful marriage he opens himself up to her liberal outlook.

    Under her influence he is willing and receptive to new ideas, and his prejudices, particularly those around class, are confounded. Yet his actual standards never change, and he refuses to waver, even in the face of external pressures, as Hilton explains,

    “Because always, whatever happened and however the avenues of politics twisted and curved, he had faith in England, in English flesh and blood, and in Brookfield as a place whose ultimate worth depended on whether she fitted herself into the English scene with dignity and without disproportion”.

    Chips is ultimately a product of a specific time and place. He is the personification of Victorian England, an upstanding figure, both patrician and correct.

    However the radicalism of the early twentieth century is alarming to him, along with the increasing appetite for war. As the First World War erupts, he is forced out of retirement to replace the younger masters who are conscripted. Every Sunday assembly is punctuated with a roll call of death notices, a poignant reminder of the waste wrought by war. An interesting twist occurs when it is announced that the master of German had been killed, another victim of this random and senseless event in history. Chips correctly admonishes the boys who denounced him as the “enemy” when in fact he was called up by his country’s government and had no real choice in the matter.

    Chips never forgets any of his pupils, he continues to invite them to tea at his lodgings. He is loved for his wisdom, his kindness and his tireless duty. The concluding chapter, when Chips says his final goodbye is so touching it is difficult to read it without tears. The vision of England that Hilton depicts, of immaculate cricket lawns and impeccable manners may not have existed, but it is recognised by most of us as the country in which we would like to live.

    This hopeful vision is dwindling year after year and seems more remote than ever in an age of technocratic globalism. Cynics paint this as a sanitised view of the country, and sneer at the supposed absurdity, complaining that it is excessively sentimental.

    However this criticism is hollow and contemptuous, revealing a coarseness and a bluntness which we have sadly become too accustomed to, it offers nothing positive. Hilton’s elegy to a lost England is timely, and even more necessary today than when it was written.

  • The Last Walk

    The mission to reach the South Pole was a bleak and forbidding endeavour. It was a testing expedition for even the most battle hardened men. Captain Scott’s journey across the barren and blank Antarctic was not just exacting physically, it was a supreme test of psychological endurance.

    His team were determined to reach their goal, in spite of the dangers to life. One of his men, Captain Oates displayed the most extreme example of courage in the face of adversity. Lawrence Oates heroically sacrificed his mind, body and spirit to save the mission of his fellow explorers.

    He left the tent to walk out into certain death with the famous last words,

    “I am just going outside and may be some time”.

    These words, so genteel and polite were befitting of an English gentleman, and characteristic of an officer who had served his country proudly and courageously in the Second Boer War. In that conflict he received a gunshot wound in his left thigh bone, which left his left leg an inch shorter than his right leg.

    However he remained fearless and undaunted by the scale of fighting, he did not want to give up. In spite of the clamouring calls from the other soldiers, he urged them to persevere, stating “we came to fight, not to surrender”. His fierce tenacity and bravery impressed military luminaries of the time, like Lord Kitchener.

    However the Antarctic was an entirely different frontier, and in this situation he had to surrender. He died in a blizzard on the 17th March 1912. It was his 32nd birthday. He had gangrene and frostbite and knew that his condition was beyond hope. His last and lonely walk into oblivion is immortalised in history.

    This was the age of exploration, and young men dreamed of becoming explorers. No frontier seemed too remote or arduous to them. It was the greatest competition on planet Earth, and many were determined to win. It did not matter that they sacrificed their lives to achieve it. Oates was a true hero, but in a typically British understated way. His courage lies within his willingness to sacrifice himself for the team.

  • The Inheritor Of Unfulfilled Renown

    On the 20th of November, 1752 the English poet Thomas Chatterton was born. He was born in Bristol to a family who played an important and prestigious role in the office of sexton for St Mary Radcliffe Church. His mother, Sarah Chatterton was a part-time seamstress. His father, also called Thomas, was a numismatist who died shortly after he was born.

    He was educated at Edward Colston’s charity school, reputedly on the site of a ruined Carmelite convent. His childhood was steeped in mystery and myth, but also difficulty and poverty. This inauspicious start in life did not bode well for his future. In spite of his efforts to establish himself as a professional poet he died at the tragically young age of 17. His death occurred in murky circumstances. Many assumed that he had taken his own life.

    However other commentators have suggested that his demise may have been accidental, as his death was attributed to arsenic poisoning. Arsenic was a common treatment for venereal disease at that time. Nonetheless his death still created a myth that lingers to this day, of the tortured, doomed and misunderstood poet destined for obscurity.

    His death and the legend that surrounded it influenced other writers and artists for at least a century afterwards, and beyond. In 1835 the French playwright Alfred de Vigny wrote the visionary drama “Chatterton”. The troubled Victorian poet and Catholic mystic Francis Thompson believed that he was saved from suicide by the comforting presence of Chatterton’s ghost.

    The myth was also immortalised in the popular imagination by the pre-Raphaelite artist Henry Wallis in his 1856 painting “The Death of Chatterton”. In 2010 the outsider artist George Harding was inspired to create his own interpretation of this iconic image in the painting “Everything is Real except God and Death”, inspired by his experience as an in-patient at Bethlem hospital.

    Harding re-imagined the mythic figure of Chatterton, and re-created the infamous death scene with himself at the centre. However in the painting, Harding is not dead, but in a state of madness and confusion. In the grip of his delusion, he has no head, in its place is the Eye of Providence. The painting illustrates that disturbing and unsettling no-man’s land that exists between reality and insanity in which death itself has no meaning.

    Chatterton’s extraordinary life and death provides a dark inspiration for those who have found themselves adrift in society. Chatterton was an imaginative and sensitive child. When he was six he amused himself with solitary pursuits, and spent entire days reading and writing. At school he was prone to daydreaming, and neglected his academic work. He started writing poetry at the age of eleven, and this was encouraged by his mother.

    He was fascinated by history, particularly folklore and many of his earliest writings illuminate the old myths and tales of England. The ancient legends and landscapes of England, especially Bristol animated his verse. This was something that he cultivated while still a schoolboy at Colston’s school. It was staggering to consider that he was only sixteen, and unlike many youths of today who are only too keen to forge ahead and create new ideas for the future, he was more inclined to look back into the past.

    Chatterton adored the rarefied world of Medieval England. This was a period replete with ornate mythology and lore. It was a realm so captivating that he would frequently lose himself within it. He even adopted the persona of a Medieval poet, and attempted to appropriate the syntax and style. He created the pseudonym “Thomas Rowley”. The “Rowley” poems are an astounding testament to his literary and linguistic talents, honed at such a young age.

    Chatterton believed that the character that he imagined, of a Medieval scholar, scribe and Priest, was so convincing, that he could fool the literary establishment. He appealed to the great and good of Bristol. He told them that he had discovered a neglected masterpiece written by an unknown and unrenowned poet from the fifteenth century. However they were unwilling to remunerate him.

    Unchastened by this rejection, he sent his appeal further, to the esteemed Horace Walpole, who initially believed his account until he was informed of Chatterton’s age. He was sceptical of the veracity of the poems, and consulted his friend Thomas Gray. Gray instantly declared that the poems were fake. Walpole wrote a denouncing letter to Chatterton in which he called his poems “facile”, and the correspondence ended.

    The rejection wounded him, and it sent Chatterton on a path to self-destruction, and led to his untimely demise. It seems tragic now to consider that he died not knowing that his work of medieval parody and pastiche would become a major influence on the Romantic poets, and inspire further generations of English poets.

  • The Hero King

    On the 13th November, 1312 King Edward III was born. At the tender age of fourteen, he was crowned King. His accession was marked with a three day tournament. This celebration was a stark contrast to the decidedly dour attitude of his father and predecessor, Edward II, who actually banned such festivities.

    The young Edward III certainly proved himself to be a master of the joust. However this was just a foretaste of his long, magnificent and extraordinary rule. He was the personification of the age of knights, fantasy castles, honours, arms, pageantry and jousts. England’s national identity became steeped in the semiotics of war, and Edward was the warrior in chief leading his tribe in glory.

    However Edward’s ascendance as King was not seamless. His father, Edward II was deeply unpopular, except for one particular member of his household with whom he lavished flattery and favour, to the exclusion of his trusted advisers and even his long suffering wife. Piers Gaveston was the King’s favourite, provoking understandable suspicion, jealousy and contempt. Faced with growing pressure from the barons, and his wife’s family he sent Gaveston into exile. Edward’s wife, Queen Isabella, came from an illustrious Royal house in France, and his emotional detachment from her was enough to cause consternation and disquiet from the French Monarchy.

    Medieval England had only a semblance of stability. There was always a hint of tension between the Crown and the noble ranks, particularly amongst the barons. This was enough to disturb and endanger the cohesion of the Kingdom. In addition to this, England had an almost intractable dispute with the rival Kingdom of Scotland, and the borderlands of Wales (known as the Marches). Edward II proved himself to be a disaster on both accounts. His attempts to reconcile these factions ended in tragedy.

    The King was evidently lacking in any resolve to improve hostilities, so the bullying barons decided the direction for him. Gaveston was murdered in grisly circumstances and his estranged wife began an affair with the notorious Marcher Lord, Roger Mortimer. Edward was humiliated, and his authority was weakened. He sought sanctuary in Wales, but he was later captured and then murdered at the behest of Mortimer.

    The Kingdom was effectively relinquished to Mortimer, who seized land and power for himself. However, in spite of his age, the new King used cunning to thwart the tyrannical influence of Mortimer. A meeting was due to take place at Nottingham Castle to debate the affairs of state. While Mortimer slept, Edward III and his troops entered the Castle via an underground tunnel. Mortimer received a sudden and rude awakening, as he was accosted, arrested, condemned and eventually executed at Tyburn as a traitor.

    Edward III was determined not to repeat the mistakes of his father. England had been left in a perilous state, and the King’s legacy was characterised by degeneracy and ignominy. He was keen to reverse the negative reputation of the office of King and acquired a deeper insight into the actual workings of the court, and worked hard to earn back the respect of the nobles.

    A unique and distinct aristocratic culture was cultivated by the King, inspired by the legend of King Arthur and the Knights of the Round Table. However in spite of all of these romantic allusions, nothing could ever disguise the fact that this was a society that glorified violence and conquest. Edward pursued both, with successful military campaigns in Scotland and France.

    The new soldier-King instituted St. George as the patron saint of England, supplanting native born saints particularly St Edmund. George was the saint of nobles and soldiers, and it seemed suitably apt and pertinent to adapt his legacy as an honourable example to follow for all true English gentlemen.

    The art of war almost became a personal obsession for him. Edward realised that a new weapon was proving to be a major success on the battlefield, namely the longbow. Consequently he enacted a law banning all sports, except archery. This one act consolidated England as a formidable and fearsome military power, as victory was guaranteed with a highly skilled army.

    The English people responded to the King’s prowess as a military leader with a renewed feeling of confidence, which was observed by the French chronicler Jean Froissart. He noted that, “the English will never love and honour their king unless he be victorious and a lover of arms and war against their neighbours and especially against such as are great and richer than themselves”. The campaign in France, in particular, was a source of pride, after the tribulations of the Norman Conquest.

    Edward’s impressive fifty year reign left an important legacy, chiefly in terms of England and its military capability. He was responsible for raising the standard of the English soldier, marching courageously under the banner of St. George. This is something which we must be thankful for, as he alone represents dignity and honour.